Finissage of Arno Schmidt exhibition at the Gallery ground floor the exhibition appears a publication dealing with the various issues in Schmidt’s beziehungsreichem and branched plant, the impulses which now go out of him until today, or even first, also along the accompanying programme. Schmidt’s relationship with the Visual Arts is described also by Bernd Rauschenbach, such as Eugen flower, Director of the Hamburger Bahnhof, a sketch of an imaginative and stimulating to Arno Schmidt and FLUXUS wrote, the film historian Gunter Agde explains the intention of the high-contrast and carefully constructed film program and the reader will find information on concerns and emergence of the exhibition. Last but not least, the writer even here comes with his own texts (and also drawings!) Word and image. On March 16, 1982, Tohm di Roes arose from the continental typewriter. He had attracted the Manchester black trousers and a fresh Nikki. Now, he poured a Coke to the Falconer whisky Club and put instead of the ordinary speechless “-” Cigarillo is a”Chamber of hunting”, because the portrait of the artist as an autobiographical history of the world backwards, was completed.
He put one above the other the 20 pages and tacked together with a spider monkeys mirrored them. When opened as a folded Leporello surrendered, to illustrate that there is the endless loop of fate Geworfenheit: on the basis of a majority decision of the world’s population it was decided these laneten to destroy completely the action has already begun and wirdsystematisch to end. Tohm di Roes lowered the needle of his turntable about organ works of J. S. Bach ‘s”Toccata and Fugue. The 1-room apartment in the Carpenter Street in Berlin-FRIEDRICHSHAIN is filled with droning. But when after the heavy bass the PIEPS-pipes, j.
s.b. was boring and he moved to cabaret Voltair with nag nag nag. The Apocalypse, so the basic tenor of just completed history, demanded their rights. So noise. Noise of the superposition of many. Simultaneity of different. This idea of the text at a”reading” to transport, demanded double bombing: air attack and heavy artillery. The Trinity of the text both longitudinal and to read across to divide the episodes with Bach fugues and industrial sounds. On the same day, attacked Joseph of the poet to the microphone and the 4-track Spulentonbandgerat and stirred the fuel together. So the basic framework for all kinds of other overlays resulted in dance, singing, stage with live animals, dead characters and booming machines. Thomas Roesler alias pure Wernher von the nail to Hakeem, alias Thom di Roes, born around 1960, is author of numerous literary works, emerges again in the retrospectives of the GDR art scene as a musician, poet, actor, film Twister, play maker. Founder the “poetry of the penetrating power. Otherwise: motor boat license, taxi steering ability, Archer, trappers. Commentary on the exhibition: “and what is it New York? City is urban; I was”ground floor from January 19 to 20 March 2011 often enough in Hanover, Germany an exhibition to Arno Schmidt in the tension field of province and city in the Gallery organised the Gallery ground floor and the Berlin Cabinet e.V.